I know. I’ve failed miserably at this posting once a day thing. Gonna keep trying though. Onward…
There is so much fucking TV to be watched over the next couple weeks I’m on the verge of an anxiety attack. I’d hazard a guess 85% of the shows I’ve told BoyfriendTivo to record will be deprogrammed by the end of the month but I gots to give shit a shot, you know? Oh and the Emmys? Opposite the Cowboys/Giants? I’ll let you guess which I’ll be watching. Hint, it’ll be the one where I don’t already know how it ends. I can hear Matt Weiner chiseling his acceptance speech into stone now.
But let’s talk about Glee, shall we?

I’ll give it this — it is unabashedly, unashamedly what it is: the gayest show on TV. In fact, it’s probably the gayest show in the history of television. And I’m including on that list Sex and the City (a tale of friendship between four gay dudes trying to make it in Manhattan) and Entourage (the story of four bestest lesbian girlfriends looking to get laid in Hollywood). Glee is gayer than them all put together, times ten, wrapped in a pride flag and shot out of a canon while singing “I’m Coming Out”. This is not a judgment merely a statement of fact.
If we’re talking judgement, I can find lots of things to complain about with this show. They make choices I just wouldn’t make – like the fact that the cheerleaders NEVER wear regular clothes, or that Will’s wife is a totally horrible, hate-able, awful, lying, cunt fuck succubus who I want to stab in the face before throwing off a cliff into a pit of starving, carnivorous wildebeests. I have less then zero idea why he married the bitch in the first place not to mention why he’s still with her. It makes me hate him. And while I’m pretty sure I’m supposed to hate her. I am positive I am not supposed to hate him. Oh and don’t get me started on the slickly produced musical numbers that sound not at all like they’re coming out of the mouths of those singing them (if it looks/sounds like Dan Tyminski’s voice is actually Clooney’s, you should be able to find a way to make Matt Morrison look/sound like he’s actually singing when, you know, he is). I’d be remiss if I didn’t mention Jane Lynch, aka the reason I’ll keep tuning in for a while. Her character is a ridiculous, mustache twirling villain who, in the hands of a lesser actress, would be more hate-able than that cunt whore wife of Will’s. And yet, she’s EASILY the most love-able thing about the show.
Here’s the thing, all this shit that makes me crazy? I can’t really argue with any of it. It’s right for them. It’s just not my bag. My hide gets chapped because it SHOULD be my bag. I mean, I went to theater school for fuck’s sake. I was one of these Glee ClubKids. I should love this and yet… There are no characters, only cartoons. There’s no plot, just shit that happens to get you to the next musical number. Ryan Murphy is the gay Tarantino. Eschewing plot and character for set pieces. Now, there’s no rulebook to this shit. While my personal philosophy is that the foundation to any good movie or tv show is well-drawn characters taking you on a carefully constructed journey with a beginning, middle and end, Inglorious Bastards made a bajillion dollars so clearly people disagree with me. I will argue this though, taking the tact of “fuck character and story, let’s dance! (or throw blood all over the screen, in Tarantino’s case)” only works if you’ve got the wind of the zeitgeist at your back. Reservoir Dogs caught a cultural wave that Quentin’s been riding ever since and Glee’s timing couldn’t be more perfect.
Many of my gay/fruit fly/musical theater nerd friends are in passionate disagreement with me on this subject. Facebook explodes each Wednesday night with their squeals of delight. I get why they dig it. It celebrates them. Again, unabashedly and with so much fucking pride. I’m glad for them, even as I’m sad for myself. Talk down the tube all you want but it’s a cultural mirror. Everyone should be able to flip and find some sort of reflection of themselves. I have Friday Night Lights and So You Think You Can Dance Dance Revolution, I’m doing fine.
Not being a gay man, I may be speaking out of turn here, but I’m going to press on anyway…
(I’m not able to conflate the lesbian experience with that of gay men. It all feels separate so I’m going to leave the ladies who loves ladies out of this discussion. Feel free to take up arms in the comments and tell me all the ways I’m wrong.)
We seem to be straddling a cultural fault line when it comes to homosexuality. Or maybe a better way to put it is that we’re in the midst of an interregnum (as it’s been defined by Prof. Taplin): a period of time in which the old is dying but the new cannot yet be born. Yes, there are still plenty of places in the USofA where you’ll get the shit kicked out of you if you walk down the street with a swish, and yet, Tim Gunn and Neil Patrick Harris are beloved, millions read Mario’s bullshit gossip everyday and Glee is a hit show. Performance of sexual identity doesn’t just happen underground in some downtown drag club anymore. It’s everywhere. But in the not too distant future, I suspect it’s all going to become a bit redundant and dare I say, boring. I still love Reservoir Dogs and I still wish I’d walked out of Inglorious Bastards at the 90 minute mark.
I touched on the issue of feminism a while back, putting it in a somewhat similar context. To sum up: I think it’s bullshit to walk through life carrying the banner for the sisterhood. Yes, I know many women had it much harder than I do, that I’m standing on the shoulders of others who sacrificed, what’s your fucking point? Can’t I just enjoy the life I’ve been gifted? Why do I have to screech and tear my hair every time I brush up against some sexism? I feel like the gays are about 20 or so years behind us ladies on this one… They’re in the screaming, rending garments, lighting themselves on fire phase because they can and, I suspect, should. Politically, they finally have a voice in mainstream America. This open’s up a lot of space for them to celebrate who they are in the culture (or maybe it’s the other way around but that’s another post for another day). But soon, there are going to be a lot of bald, scalded dudes with no clothes making this sort of display seem terribly unappealing. The zeitgeist will move on and such “I’m Coming Out!” cultural moments will only be interesting to the die hardest of fans. Then again, Inglorious Bastards did make a shit ton of cash so what the fuck do I know?
My point, if I can find it amongst all this talking in circles, is that I suspect Glee caught the last wave in this set. The show’s success largely stems from acceptance of the performance of homosexual identity in the culture at large and kudos to them for that. Really. But I’m suspicious as to whether or not they can sustain this success when fitted knee length sweaters and show tune versions of former top 40 hits become a bit of a bore. Guess we’ll see, won’t we?

